The
lights of Iraklion twinkle like grounded stars, inviting us to recreate the local myths. We are travelers and passengers in a deep moving gulf that opens into
the Mediterranean sea. I can’t help but think what a powerful force the ocean is and that we are at the mercy of its every whim. The ship bobs like a
rubber ducky. There is no sense of disruption: the consistent waves, the movement toward a blinking light, our silence, and the sound of water
slapping the sides of the ship.
The
sky is purple, almost black now, infused with white streaks of spilled milk.
As I look closer on the horizon, the colors change from purple to blue to a yellowish-green
and finally
to orange. Orange halos appear closest to a source of light,
like stars or planets.
“Would
you like to hear a story?”
“What
kind of story?” my mother asks.
“A
twisted one.”
A
story can begin in many places. It is
always a question of how far back you want to go in the chain of causes and
effects, because something always precedes the action, no matter where you
begin.
“Crete
had a mythical king named Minos,” I told her. “Minos worshipped Poseidon and prayed for a sign. Poseidon gave Minos a white bull, but the bull was so
perfect that Minos couldn’t bear to sacrifice it. He replaced it with an
ordinary bull. Of course, when he sacrificed the stand-in to Poseidon, the
god got pissed.”
The
wind grows in strength, blowing strands of lemony hair across her face.
“For revenge, Poseidon made the wife of Minos fall in love with the bull. She developed an uncontrollable lust for the animal. She fantasized about its immense
whiteness incessantly, until one day she asked Daedelus for help with her embarrassing
predicament. He suggested that if she had sex with it once, the cravings would probably cease. However, there was a logistical problem: the bull
wouldn’t copulate with a human. So, she donned a life-like cow suit to trick the
bull … and it worked.”
“No!”
“Yes.
Well, to make matters worse, she conceived. The offspring was a Minotaur: half
man, half bull.”
Mother sips her tea, blinking into the wind. I
zip my hoody up to my clavicles to block the powerful gusts. Island mountains
glow by refracting their light off the water.
“Naturally, Daedalus was a criminal for helping
create the monster. Further, Daedalus knew its embarrassing origin, as well as
the blueprint for the labyrinth he built to contain it. So, Minos placed him under house arrest with his son Icarus. Yet, Daedalus devised a means of escape. He engineered wings with a wooden frame
covered in wax. At a cliff beside their home, Daedalus instructed his son on how to fly. Of course, Icarus paid little mind. He flew too high, his
wings melted, and he plunged to his death.”
Mother
looks over the edge of the railing, the water making slurping sounds, as if climbing the side of the boat. She cringes, goose bumps lit up by the moon.
“Now,
Minos had a son and a daughter.”
“There’s
more?”
“Oh
yeah. The Athenians killed Minos’ son. As a peace pact, the king of Athens Aegeus agreed to send fourteen children every
full moon to feed the Minotaur. But Aegeus also had a son named Theseus, who
he included in a sneaky solution to the onerous sacrifices.
“Too
much?” I ask, grazing my hand over the salt spray on the railing.
“No,
it’s fascinating.”
With
the black night above us, I continue. The lights of Iraklion grow brighter. “Aegeus
told his son to raise white sails instead of black, if he succeeded in killing the Minotaur. When Theseus arrived he met Minos’ daughter Ariadne,
who fell in love with him. She gave him a plan. When he got to the
labyrinth, he tied her red yarn to the gate and unraveled it as he
went.”
Mother’s
eyes move with mine. Mixed languages dance on the deck above us. The night has
become colder with wind whipping around the ship like the voice of night. Iraklion is
enveloped in a throbbing, orange glow.
“The
plan works. Yet, on the way back to Athens, they stop at Naxos, and Theseus somehow forgets his new girlfriend on the island. In anger, Ariadne places a curse on
Theseus’ memory. He forgets to change the sails on his ship, so when he docks at
the Athenian harbor, Aegeus sees black sails and jumps into the
sea in his grief.”
Though
the ship has moved a great distance, the moon still finds our faces. It drapes
over our expressions and our silver-plated skin. Why is fear liquid?
Mittie Babette Roger is from Louisiana but lives in San Miguel de Allende, Mexico. She received an M.F.A. in Creative Writing from Naropa University and authored the book It's Better to Visit the Shaman Without Questions to Ask. She travels the world volunteering to help disadvantaged children and promoting Blue Iguana Tequila to empower serious drinkers.
Mittie Babette Roger is from Louisiana but lives in San Miguel de Allende, Mexico. She received an M.F.A. in Creative Writing from Naropa University and authored the book It's Better to Visit the Shaman Without Questions to Ask. She travels the world volunteering to help disadvantaged children and promoting Blue Iguana Tequila to empower serious drinkers.
Terrific post!
ReplyDeleteI was recently re-reading an account of the Minotaur myth. A bit more sanitized then the actually depicting the copulating between the queen and the bull, of course!